Thursday, May 15, 2008

"Weasels ripped my flesh!"


"On the graphic arts front, TASCHEN has released the wonderfully over-the-top Men's Adventure Magazines, the definitive look at the male equivalent of the graphic romance novel. Sure to be a guilty pleasure, this exhaustively colorful tome depicts an idealized vision of the 1950s manhood, when fearless macho guys could dispatch Nazis, communists, gang members, pedophiles, nymphomaniacs and man-eating caterpillars with equal measure."
-Daily Variety, Los Angeles, United States

Wednesday, May 14, 2008

Art? Design? Science?


Museum Kills Live Exhibit
By JOHN SCHWARTZ
New York Times, May 13, 2008

"Art is deathless, the poets say. Unless it isn’t.

One of the strangest exhibits at the opening of “Design and the Elastic Mind,” the very strange show at the Museum of Modern Art in New York that explores the territory where design meets science, was a teeny coat made out of living mouse stem cells. The “victimless leather” was kept alive in an incubator with nutrients, unsettlingly alive. Until recently, that is.

Paola Antonelli, a senior curator at the museum, had to kill the coat. “It was growing too much,” she said in an interview from a conference in Belgrade. The cells were multiplying so fast that the incubator was beginning to clog. Also, a sleeve was falling off. So after checking with the coat’s creators, a group known as SymbioticA, at the School of Anatomy & Human Biology at the University of Western Australia in Perth, she had the nutrients to the cells stopped.

Though she has said “I felt cruel when I turned it off,” Ms. Antonelli said in the more recent interview that it was, essentially, a simple decision tinged with a bit of regret. “It was the only piece in the show that was alive,” she said. “It really was an amazing piece.”

Oron Catts, director of SymbioticA, said in an e-mail interview that he “particularly liked what happened at the MoMA,” with its slightly Frankensteinian sensibility of “life growing out of control.” The need to shut the exhibit fit in with the group’s overarching goal “to present the end of our projects in ways that remind people that these works are/were alive and that we have a responsibility towards the living systems that we engage in manipulating,” he wrote. Besides, he added, “the piece was able to regain some of its irony that was lost” when it was put in the context of what he characterized as an “optimistic design show.”"

Thursday, May 8, 2008

(G)HOST IN THE (S)HELL


DIDIER FIUZA FAUSTINO/BUREAU DES MÉSARCHITECTURES
May 14 - June 28, 2008

"This May, Storefront will inaugurate a solo exhibition of French artist and architect Didier Fiuza Faustino and his Paris-based practice Bureau des Mésarchitectures (Mathieu Herbelin, Cláudia Martinho, Tony Matias, Guillaume Viaud). Faustino's largescale onsite installation (G)HOST IN THE (S)HELL, designed specifically for Storefront for Art and Architecture, will occupy the entire body of the gallery and engage its iconic façade by temporarily interrupting its role as movable, morphable barrier. Using chain-link fence as a medium to entirely encase and isolate the facade's panels, (G)HOST IN THE (S)HELL will explore the complex role that barriers and thresholds play in defining and creating public and private space, ideas central to Faustino/Mésarchitectures' work."